Touching the void review

If the distance is more than feet, well, then, he will literally be at the end of his rope.

Touching the void stage play

They made their descent with Yates helping Simpson the best he could until Simpson slipped over a cliff and found himself dangling in mid-air over a crevasse. But there is a floor far below, and in the morning he sees light and is able, incredibly, to crawl out to the mountainside. Patrick McNamee is a floppy-eared puppy of a Richard, tripping over his metaphorical paws in his quest to find his own adventure. The Stage is a family business, operated by the same family since we were founded in If the distance is more than feet, well, then, he will literally be at the end of his rope. Inch by inch we follow his epic crawl to safety, dragging himself, in agony, over ice, snow and rocks, thinking about Sarah and awful Boney M songs. They limited their supplies to reduce weight, and planned to go up and down quickly. Staging a story about extreme physical sport is no mean feat itself — how do you go about putting a climbing expedition on stage? The concept seems as inconceivable as the source material. And for a touring production, this is an audacious use of the theatre space that must have been measured to within an inch of its life. How he did it provides an experience that at times had me closing my eyes against his agony.

My wife is a mountain guide who has walked in the shadow of Siula Grande many times, leading treks through the Peruvian Andes, and an old friend of mine went to Canada's Yamnuska Mountaineering school to become a guide I am a dilettante when it comes to paddling and mountaineering, and I've done nothing like Erika and Curtis have, but I do love the extreme sports and have a healthy respect for the conventions that go along with themand their response to Touching the Void is that the pair of them -- Yates and Simpson -- should have died for their stupidity.

Risking life and limb climbing to an treacherous mountain peak is no walk in the park. I simply sat there before the screen, enthralled, fascinated and terrified.

So there he is, in total darkness and bitter cold, his fuel gone so that he cannot melt snow, his lamp battery running low, and no food. The banter between Joe and his new climbing partner, Simon Edward Hayterleaves you in no doubt that mountaineers, besides being totally insane, are part of a brotherhood every bit as identifiable as surfer boys boozing in beach-side bars.

It is an addiction, as compelling as heroin, something that drives its devotees to always move onto a bigger mountain, a more intense high. Not for me the discussions about the utility of the "pseudo-documentary format," or questions about how the camera happened to be waiting at the bottom of the crevice when Simpson fell in.

I've read reviews from critics who were only moderately stirred by the film my friend Dave Kehr certainly kept his composureand I must conclude that their dreams are not haunted as mine are.

Touching the void cutting the rope

Every ascent is dangerous enough without taking on dangers that are within one's ability to avoid. Erika, Curtis and many of their fellows were or remain angry at Yates and Simpson for taking such a silly risk. My wife is a mountain guide who has walked in the shadow of Siula Grande many times, leading treks through the Peruvian Andes, and an old friend of mine went to Canada's Yamnuska Mountaineering school to become a guide I am a dilettante when it comes to paddling and mountaineering, and I've done nothing like Erika and Curtis have, but I do love the extreme sports and have a healthy respect for the conventions that go along with them , and their response to Touching the Void is that the pair of them -- Yates and Simpson -- should have died for their stupidity. Richard impressive newcomer Patrick McNamee uses peanuts to demonstrate the scale of the ascent to Sarah. The breaking of his leg is a visceral, wince-inducing moment, and every subsequent blow it receives is accompanied by his agonised screams and cringing from the audience. Roped together, they worked with one man always anchored, and so Yates was able to hold the rope when Simpson had a sudden fall. The set designs at the Lyceum are rarely less than exceptional, but in conjuring 20, feet of mountain, a crevasse-riddled glacier and a pub in Glencoe from nothing more than a paper-covered steel frame, three tables and some chairs, designer Ti Green has truly outdone herself. Local guides had warned them about the weather atop Siula Grande, and their own senses told them, before they even started the ascent, that they were racing against a possible mountaintop blizzard. In my dreams my rope has come lose and I am falling, falling, and all the way down I am screaming: "Stupid!

I tell you, these climbers are all crazy. With most of the action taking place on the lip of the stage, the space behind the proscenium arch stretches back into uncertain blackness — the void of the crevasse, and of death.

Touching the void book review

I simply sat there before the screen, enthralled, fascinated and terrified. Entombed, with a shattered his leg, and in excruciating pain, it is his hallucinatory conversations with his fiesty sister, Sarah, that gives him the will to go on. He spends most of the second act screaming in pain as he manoeuvres himself across the stage with a broken leg, which he does horrifically convincingly. Moreover, Simpson's loyalty to Yates, even though Yates did cut him loose one dark and stormy night, is pretty impressive. The set designs at the Lyceum are rarely less than exceptional, but in conjuring 20, feet of mountain, a crevasse-riddled glacier and a pub in Glencoe from nothing more than a paper-covered steel frame, three tables and some chairs, designer Ti Green has truly outdone herself. Tweet For someone who fervently believes he will never climb a mountain, I spend an unreasonable amount of time thinking about mountain-climbing. I tell you, these climbers are all crazy.

He spends most of the second act screaming in pain as he manoeuvres himself across the stage with a broken leg, which he does horrifically convincingly. Joe delves into the psychology of climbing frequently in his books, so it is important that the production also explores this aspect of Touching the Void.

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Touching the Void